BURIAL RITES

In northern Iceland, 1829, Agnes Magnúsdóttir is condemned to death for her part in the brutal murder of two men. Agnes is sent to wait out the time leading to her execution on the farm of District Officer Jón Jónsson, his wife and their two daughters. Horrified to have a convicted murderess in their midst, the family avoids speaking with Agnes.

Only Tóti, the young assistant reverend appointed as Agnes’s spiritual guardian, is compelled to try to understand her, as he attempts to salvage her soul.

As the summer months fall away to winter and the hardships of rural life force the household to work side by side, Agnes’s ill-fated tale of longing and betrayal begins to emerge. And as the days to her execution draw closer, the question burns: did she or didn’t she?

Based on a true story, Burial Rites is a deeply moving novel about personal freedom: who we are seen to be versus who we believe ourselves to be, and the ways in which we will risk everything for love.

In beautiful, cut-glass prose, Hannah Kent portrays Iceland’s formidable landscape, where every day is a battle for survival, and asks, how can one woman hope to endure when her life depends upon the stories told by others?

“A story of swirling sagas, poetry, bitterness, claustrophobia . . . through the long countdown towards Agnes's fate, it is Kent's heart-racing imagery that lingers . . . even the bleakness of Agnes's end, its gut-churning fear, holds an exhilaration that borders on the sublime.” Sunday Telegraph

“A remarkable achievement . . . Burial Rites will stand comparison with Margaret Atwood’s Alias Grace and Peter Carey’s True History of the Kelly Gang.” Sunday Times

“This is a golden age both of historical fiction and of crime writing. A rare novel that combines both, this is one of the most gripping, intriguing and unique books I’ve read this year. Set in the harsh landscape of Iceland in the 19th century, it is a novel that bristles with beautiful description, that lays bare the harshness of women’s lives of the period and considers the nature of justice.” Kate Mosse